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THE COMPLETE LIBRARY OF CONGRESS RECORDINGS BY ALAN LOMAX
Jelly Roll MORTON
- Ref. UM8578
- ROUNDER RECORDS, 2006. Enregistrement 1938-1949.
Discographie de base!!! Cf. LPs UM8532 à UM8536. CDs 1 to 7: The 1938 Jelly Roll Morton Library of Congress sessions recorded by Alan Lomax]: CD 8: Selections from the 1949 New Orleans jazz interviews recorded by Alan Lomax.
Interprètes
- Jelly Roll MORTON : Talking, Voix, Piano
- Alan LOMAX : Talking
- and
- Johnny ST CYR : Guitare acoustique, Talking
- Leonard BECHET : Talking
- Paul DOMINGUEZ JR : Guitare acoustique, Talking
- Alphonse PICOU : Clarinette, Talking
- Albert GLENNY : Talking
Pistes
- 1 The story of I'm Alabama bound (Spoken) * I'm Alabama bound (Song)
- 2 Time in Mobile (Spoken) * I'm Alabama bound, continued (Song)
- 3 King Porter stomp (Piano inst.) * The story of King Porter stomp (Spoken)
- 4 The story of King Porter stomp, continued (Spoken) * You can have it, I don't want it (Song) * Copyrights and battles of music (Spoken)
- 5 Jelly Roll's background (Spoken)
- 6 Music lessons (Spoken) * Miserere (Piano inst.)
- 7 Miserere, continued (Piano inst.) * The French Opera House and the Tenderloin (Spoken)
- 8 The stomping grounds (Spoken)
- 9 style of Sammy Davis (Piano inst.)* The renown of Tony Jackson (Spoken) * Pretty baby (Song)
- 10 Tony Jackson was the favorite * Dope, crown, and opium (Spoken)
- 11 Poor Alfred Wilson (Spoken) * TonyJackson's 'Naked dance' (Piano inst.)
- 12 Honky tonk blues (Song) * In New Orleans, anyone could carry a gun (Spoken)
- 13 New Orleans was a free and easy place (Spoken) * Levee man blues (Song)
- 14 The story of Aaron Harris (Spoken)
- 15 The story of Aaron Harris, continued (Soken) * Aaron Harris blues (Song)
- 16 Aaron Harris, his hoodoo woman, andthe hat that started a riot (Spoken)
- 17 The story of the 1900 New Orleans riotand the song of Robert Charles (Spoken)
- 18 story of the 1900 New Orleans riot, continued (Spoken) * Game kid blues (Song)
- 19 Game kid blues, continued (Piano innst.) * Buddy Carter rag (Piano inst.)
- 20 New Orleans funerals (Spoken) * Steal away (Song) * Nearer my God to Thee (Song)
- 21 Funeral marches (Spoken) * Flee asthe bird to the mountain (Piano inst.)
- 22 Oh! Didn't he ramble (Piano inst.)* Evolution of 'Tiger rag' (Spoken) * Tiger rag, first and second strains (Piano inst.)
- 23 Tiger rag, third, fourth, and fifth strains (Piano inst.) * Tiger ragtransformed (Piano inst.)
- 24 Tiger rag (Piano inst.) * Panama (Piano inst.)
- 25 right tempo is the accurate tempo (Interview and demonstration) * Harmony, melody, and riffs (Interview and demonstration)
- 26 Jazz discords & the story of 'Kansas City stomp' (Interview and demonstration) * Kansas City stomp (Piano inst.)
- 27 Kansas City stomp, continued (Piano inst.) * Breaks in jazz (Interview and demonstration) * Darktown strutters' ball (Piano inst.)
- 28 Slow swing and 'Sweet jazz music' (Interview and demonstration)
- 29 Salty dog (Song) * Bill Johnson, Jelly's brother-in-law (Spoken)
- 30 Hesitation blues (Interview & song)
- 31 My gal Sal, original and transformation (Interview and song)
- 32 St Louis scene (Spoken) * Randall's tune (Piano inst.) * Maple leaf rag, St Louis style (Piano inst.)
- 33 Maple leaf rag, St Louis style, conclusion (Piano inst.) * Maple leafrag, New Orleans style (Piano inst.)
- 34 Jelly Roll carves St Louis (Spoken)
- 35 Jelly Roll carves St Louis blues, continued (Spoken) * Miserere, swinging arrangement, with portion of 'Anvil chorus' (Piano inst.)
- 36 New Orleans blues (Song)
- 37 Winin' boy blues (Song)
- 38 Winin' boy blues, continued (Song)
- 39 The anamule dance (Song)
- 40 anamule dance, continued (Song) * The story of 'The anamule dance' (Spoken) * The origins of scat, Scat song (Interview and demonstration)
- 41 The great Buddy Bolden (Spoken) * Buddy Bolden's blues (Song)
- 42 The great Buddy Bolden, continued (Spoken)
- 43 Mr Jelly Lord (Song)
- 44 How Jelly Roll got his name (Spoken) * Original Jelly Roll blues (Piano inst.)
- 45 Original Jelly Roll blues, continued (Song) * Jelly Roll's four-beat foot (Spoken)
- 46 Honky tonk blues (Song) * Old-timehonky tonks (Spoken)
- 47 Real tough boys (Spoken)
- 48 Sporting attire and shooting the agate (Spoken)
- 49 Sweet mamas ans sweet papas (Song)* See see rider (Song)
- 50 See see rider, continued (Song) * Parading with the Broadway swells (Spoken)
- 51 Parading with the Broadway swells,continued (Spoken)
- 52 Fights and weapons (Spoken) * Stars and stripes forever (Piano inst.)
- 53 Luis Russell and New Orleans riffs(Interview and demonstration) * Call of the freaks (Song)
- 54 Jelly's travels: From Yazoo to Clarksdale (Spoken)
- 55 Jelly's travels: From Claksdale toHelena (Spoken)
- 56 Jelly's travels: From Helena to Memphis (Spoken)
- 57 In Memphis: The Monarch saloon andBenny Frenchy (Spoken) * Benny Frenchy's tune (Piano inst.)
- 58 Benny Frenchy's tune, continued (Piano inst.) * Bad Sam, Memphis' toughest (Interview) * The stomp that beat Benny Frency (Piano inst.) * All that I ask is love (Song)
- 59 Make me a pallet on the floor (Interview and song)
- 60 Make me a pallet on the floor, continued (Song)
- 61 Make me a pallet on the floor, continued (Song)
- 62 Make me a pallet on the floor, conclusion (Song)
- 63 The dirty dozen (Interview & song)
- 64 The murder ballad, pt.1 (Song)
- 65 The murder ballad, pt.2 (Song)
- 66 The murder ballad, pt.3 (Song)
- 67 The murder ballad, pt.4 (Song)
- 68 The murder ballad, pt.5 (Song)
- 69 The murder ballad, pt.6 (Song)
- 70 The murder ballad, conclusion (Song)
- 71 Fickle fay creep (Piano inst.)
- 72 Jungle blues (Piano inst.)
- 73 King Porter stomp (Piano inst.)
- 74 Sweet Peter (Piano inst.)
- 75 Hyena stomp (Piano inst.)
- 76 Wolverine blues (Song)
- 77 Wolverine blues, continued (Song)
- 78 State and Madison (Piano inst.)
- 79 The pearls (Piano inst.)
- 80 pearls, continued (Piano inst.)
- 81 Bert Williams (Piano inst.)
- 82 Freakish (Piano inst.)
- 83 Pep (Piano inst.)
- 84 The Georgia skin game (Spoken)
- 85 The Georgia skin game, continued (Spoken)
- 86 The Georgia skin game, conclusion (Spoken) * I'm gonna get one and go directly (Song)
- 87 Ungai hai, the sign of the Indians(Interview and song)
- 88 New Orleans blues (Piano inst.) * The spanish tinge (Spoken)
- 89 The spanish tinge, continued (Interview and demonstration)
- 90 Improving spanish tempos and 'Creep feeling' (Interview & piano inst.)
- 91 Creepy feeling, continued (Piano inst.)
- 92 The crave (Piano inst.)
- 93 Mamanita (Piano inst.)
- 94 C'était n'aut' can-can, payez donc(Interview and song) * If you don't shake, you don't get no cake (Song)
- 95 Spanish swat (Piano inst.)
- 96 Ain't misbehavin' (Song)
- 97 I hate a man like you (Interview and song) * Rolling stuff (Piano inst.)
- 98 Michigan water blues (Interview and song)
- 99 Winin' boy blues (Song)
- 100 Winin' boy blues, continued (Song)
- 101 Boogie woogie blues (Piano inst.) * Albert Carroll's tune (Piano inst.) * Buddy Bertrand's blues (Piano inst.)
- 102 Buddy Bertrand's blues, continued (Piano inst.) * Mamie's blues (Interview, piano inst., and song)
- 103 When the hot stuff came in (Spoken)
- 104 The first hot arrangements (Spoken)
- 105 The Pensacole kid & the Cadillac Café (Spoken)
- 106 At the Cadillac Café, Los Angeles,continued (Spoken) * Little Liza Jane (Song)
- 107 Little Liza Jane, continued (Song)* On the West Coast: Getting alongswell (Spoken)
- 108 In the publishing business (Spoken) * Tricks ain't walking no more (Soong)
- 109 Original Jelly Roll blues (Guitar inst. by Johnny St Cyr)
- 110 Jelly Roll's early playing days inthe district (Spoken Johnny St Cyrand Alan Lomax)
- 111 Hot bands and creole tunes (SpokenJohnny St Cyr and Alan Lomax)
- 112 Eh, là bas (Song by Johnny St Cyr)* Riffs and breaks from creole songs (Spoken Johnny St Cyr and Alan Lomax)
- 113 Old-time creole musicians and the french element (Spoken Leonard Bechet & Alan Lomax)
- 114 Playing hot with Buddy Bolden (Spoken Paul Dominguez Jr, Alphonse Picou & Alan Lomax)
- 115 High society (Instrumental: Alphonse Picou, clarinet & Paul DominguezJr, guitar)
- 116 Sporting life costumes (Spoken Albert Glenny, Leonard Bechet and AlanLomax)
- 117 Buddy Bolden: Man and musician (Spoken Albert Glenny, Leonard Bechet and Alan Lomax)
- 118 Creoles playing with negroes: Getting that drive (Spoken Leonard Bechet and Alan Lomax)
- 119 Jelly Roll's compositions (Spoken Johnny St Cyr and Alan Lomax)
- 120 How Johnny St Cyr learned to play guitar (Spoken Johnny St Cyr and Alan Lomax)
- 121 Guitar blues (Guitar inst. by Johnny St Cyr) * Just the guitar blues(Spoken Johnny St Cyr & Alan Lomax)
- 122 Bad men and pimps (Spoken Johnny St Cyr and Alan Lomax)
- 123 story of the 'Coon blues' (Spoken Alphonse Picou and Alan Lomax)
- 124 Coon blues (Instrumental with Alphonse Picou & Paul Dominguez Jr)
- 125 Jazz is just a make-up: Buddy Bolden, honky tonks, brass band funerals, and parades (Spoken Albert Glenny, Leonard Bechet & Alan Lomax)
- 126 Young Sidney Bechet: Jim Crow and the dangers of the district (SpokenLeonard Bechet & Alan Lomax)
- 127 The main idea in jazz: 'Just watch me',improvising and reading music (Spoken Albert Glenny, Leonard Bechet and Alan Lomax)
- 128 Of all his mother's children he loved Jelly the best: A little tale of Jelly Roll Morton (Spoken Johnny St Cyr and Alan Lomax)