Partager
SHAKESPEARE SONGS AND CONSORT MUSIC
Alfred DELLER - THE DELLER CONSORT...
- Ref. AA7918
- HARMONIA MUNDI, 1970. Enregistrement 1969.
It was lover and his lass (MORLEY: As you like it) - Take, otake those away (WILSON: Measure for measure) - O mistress mine (MORLEY. Twelfth night...) - Strike it up, Tabor (WEELKES) - Willow song (ANONYME: Othello) - Where the bee sucks (JOHNSON: The Tempest) - How should I tur love know (ANON.: Hamlet, Prince of Denmark) - Walshingham variations (Francis CUTTING) - We be soldiers three (ANONYME) - When griping griefs (ANONYME: Romeo and Juliet) -Full fathon five (JOHN- SON: The Tempest) - Caleno custure me (ANONYME: Henry V) - Then they for sudden joy (ANONYME: King Lear) - Bonny sweet Robin (ANONYME) - When that I was (ANONYME: Twelfth night) -Kemp's jig (ANONYME) - Greensleeves (ANONYME) - He that willan alehouse keep (ANONYME) - Non nobis Domine (BYRD)
Interprètes
- Alfred DELLER : Contre-ténor, Direction
- THE DELLER CONSORT : Ensemble instrumental
- Desmond DUPRE : Luth, Viola da gamba
Œuvres
- Thomas MORLEY : It was a lover and his lasse (Shakespeare: As You Like It)
- John WILSON : Take, o take those lips away, lute song (Shakespeare: Measure for Measure)
- Thomas MORLEY : Mistresse mine, well may you fare (Shakespeare: Twelfth Night)
- Thomas WEELKES : Strike it up Tabor, madrigal à 3 vx (Londres, 1608)
- ANONYME : Willow song, lute-song (Shakespeare: Othello)
- Robert JOHNSON : Where the bee sucks, lute-song (Shakespeare: The Tempest)
- ANONYME : How should I your true love know, (Shakespeare: Hamlet)
- Francis CUTTING : Variations on Walsingham, pour luth
- ANONYME : We be soldiers three, soldiers back from the Flemish wars (Publié en 1614)
- ANONYME : When griping griefs (Shakespeare: Romeo and Juliet)
- Robert JOHNSON : Full fathom five, lute-song (Shakespeare: The Tempest)
- ANONYME : Caleno custure me (Shakespeare: Henry V)
- ANONYME : Then they for sudden joy did weep, canon (Shakespeare: King Lear)
- ANONYME : Bonny sweet Robin, pour Lyra-viol (Angleterre, 16e et 17e s)
- ANONYME : When that I was (Shakespeare: Twelfth night)
- ANONYME : Kemp's jigg (Angleterre, 16°.s)
- ANONYME : Greensleeves, anonyme du 16°siècle
- ANONYME : He that will an ale-house keep, canon
- William BYRD : Non nobis , Domine, motet à 2-4 voix (attribution ? Pub. in Playford's "Music and Mirth")