"Mem's work typically attempts to link sonic anomalies with electronics. His most recent interests include the decontextualisation of sound material. He is currently experimenting with primal structures of non-organic origin, such as white noise and sine waves, and melding them into sounds of organic nature. He works mainly with a PC platform. On It Was A Very Good Year , Mem takes source material from perhaps the most popular version of a standard American classic of the same title from the early 1960 s. Mem uses isolated sections of string sounds from a big band orchestra and draws them out into slowly cascading layers. We hear humming, vibrating, drawn out drones that build very slowly into a massive crescendo of noise that eventually include others sounds."