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KONSTANTIN RAUDIVE - THE VOICES OF THE DEAD
ANTHOLOGIES GENERALES
- Ref. X 477V
- SUB ROSA, 2002.
Raudive's name and his methods mainly became known after the publication, in 1971, of his book/LP, Breakthrough: An Amazing Experiment In Electronic Communication WIth The Dead. subsquently, Burroughs immediately notices and uses it in his quest for the de-structure of language. He perceives in Raudive's publication a structure inherentto a dreamlike, schizophrenic language - what he discerns here takes him back to that which he discovered 10 years earlier by applying the 'cup up and fold in" method. This type of language is emitedin his works of fiction. In fact, he wrote article on the subject of "It belongs To The Cucumber" (Crawdaddy #68, 1976), a written piece on the specific work of Raudive (in Essais°. Consequently, Raudive's sound work formed some kind of cult; one finds traces of
Interprètes
Pistes
- 1 Here is Konstantin Raudive, pt.1
- 2 Palae fore memoire
- 3 Sound piece #1 Astrid a little bit
- 4 Raudive track
- 5 Sound piece #2 Karajan kluk
- 6 Cadavre magnétique
- 7 Sound piece #3 Astrid! Ask there!
- 8 Nature morte
- 9 Sound piece#4 Mendelsohn: More more
- 10 Lee's Raudive mix
- 11 Sound piece #5 Too much pop music on the radio
- 12 Bizz circuits - Drüben
- 13 Sound piece #6 Forgotten special domain
- 14 Koladé spirit
- 15 Sound piece #7 In Wien
- 16 Welcome
- 17 Sound piece #9 Ouverture : No more less
- 18 Temps magnétique
- 19 Problems, distant cut (Sound piece#9
- 20 Intimate decision for solo viola
- 21 Experiments pt.2 Radio Stimme + Microphon Stimme