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MUSIC FOR A SPAGHETTI WESTERN
ZOVIET FRANCE
- Ref. XZ749W
- KLANG GALERIE, 2006.
"The four tracks (presented here as "scenes" and without real titles) are largely abstract tapestries with heavy repetition of samples throughout tightly woven layers of sound. A common sound of blurry echo links the various samples together in a seamless flowing fabric. Only "Scene 1" has any discernible vocals, and that also makes it the only track to give any indication when it was created. The repeating samples of Ronald Reagan would have been a lot more timely and provocative back in the mid-80s, but they've held up remarkably well. The rest of the album is quite strong and despite the timely samples, sounds fresh enough and could easily have been newly created when it was released as a long-lost recording. The second, third, and fourth "scenes" more clearly show the origins of the album's title; though rather than a soundtrack to some old Eastwood flick, sounds reminiscent of those films (possibly direct samples, it's hard to say) appear throughout, if heavily blurred and muffled." www.brainwashed.com Stereotypical "Indians on the warpath" whoops surface on "Scene 2" and
""Scene 4," and I think I hear a bit of the famous theme to The Good,
Interprètes
Pistes
- 1 Scene 1
- 2 Scene 2
- 3 Scene 3
- 4 Scene 4